Nov 22, 2017Punnoval rated this title 2 out of 5 stars
Like most Hollywood directors, Tamara Jenkins rarely misses a chance to "schlock it up". The first half is OK second rate Solondz (Happiness [Hoffmann is much better here as a obscene phone caller]; Life During Wartime.) As the movie progresses, Jenkins starts applying mushy sentimentality and annoying bathos. The end is totally beyond belief in it's quest for the old "happy ending".
Comment
Savages